Toned
Key Features
- Three-band crossover-style tone matrix with first-order filters (-6 dB/octave) for broad, natural-sounding EQ curves
- Dedicated high pass filter tuned specifically for sub-bass (10-50 Hz) with 0.01 Hz precision and selectable Q and roll-off
- Analog modeling engine with frequency-dependent saturation, self-noise simulation, and negative feedback control
- Mid/side processing mode lets you shape the stereo and center channels independently
- Switchable two-band and three-band EQ modes for different tone-shaping workflows
- Internal 64-bit precision with 2x fixed oversampling for transparent audio quality
- Delay-compensated wet/dry mix control with adjustable input/output metering and built-in A-B comparison
Description
Toned by LVC-Audio is a mastering-focused tone shaping plugin that pairs a three-band equalizer with a built-in analog modeling engine. Rather than offering surgical precision, it uses a crossover-style filter bank of first-order filters at -6 dB per octave, producing broad, gentle curves that mimic the frequency band interactions found in passive analog EQs.
The three-band matrix can target stereo, mid, or side channels independently, and switches between two-band and three-band modes for different workflows. A dedicated high pass filter covers the 10 Hz to 50 Hz range with 0.01 Hz accuracy, giving precise control over sub-bass energy without affecting the rest of the spectrum.
The analog modeling section is based on the same engine found in LVC-Audio's PreAMPed plugin. It simulates frequency-dependent saturation, self-noise, and the subtle coloration of high-end analog hardware, with a feedback control that recreates the behavior of negative feedback in analog amplifier paths.
All processing runs at internal 64-bit precision with 2x fixed oversampling, and the plugin includes a delay-compensated wet/dry mix control for parallel processing. Users in audio forums consistently praise the LVC-Audio lineup for analog modeling that sounds natural and musical rather than harsh.
Toned was an entry in the KVR Developer Challenge 2014 and remains a popular choice among producers who want to add broad tonal character and warmth to their master bus or mix groups without reaching for a full parametric EQ.
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Frequently Asked Questions
How does Toned differ from a standard parametric EQ?
Toned uses crossover-style first-order filters at -6 dB per octave instead of parametric bell or shelf bands. This produces very broad, gentle curves with minimal phase alteration, mimicking the frequency band interactions found in passive analog equalizers. It is designed for overall tonal shaping rather than surgical frequency correction.
Can Toned be used on individual tracks or only on the master bus?
While Toned is primarily designed for mastering and two-track bus processing, it works on individual tracks as well. The broad EQ curves and analog saturation modeling can add warmth and character to vocals, guitars, drums, and other sources. The wet/dry mix control makes it easy to blend the effect in parallel.
What is the analog modeling engine based on?
The analog modeling engine in Toned is derived from the same technology found in LVC-Audio's PreAMPed plugin. It simulates the frequency-dependent saturation, self-noise, and subtle coloration of high-end analog hardware, with a dedicated feedback control that recreates the effect of negative feedback within an analog amplifier path.
Does Toned support mid/side processing?
Yes. Both the three-band tone matrix and the high pass filter can be applied to the stereo mix, or targeted specifically at the mid or side channel. This is useful for widening the stereo image or tightening the center of a mix during mastering.
